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Thursday, April 4, 2013

The HARD Reality Of Fantasy (Imagination)

Hello Clockers - I just featured This Amazing `UFO'-`Alien' Story at my `other' UFO blog Amazing UFO Stories and Strange UFO Videos - one of the ultimate detailed humdingers I've ever `heard' related. I'll give you a couple minutes, then return.....
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Now, I know not everyone went to read the MUFON account - so, let me just say that it combined `going to the light' with `aliens and humanoids' with `top Demons' with `Periodic Tables' with `tunnels of light within metal spheres' with .... well, you name it really; abuse by others, thoughts about God, Death, and more. An AREA all with objects.... albeit strange... and beings.... strange beings.... and ultimate things such as knowledge and `ideas of god'................ And, all of it somehow connected to ones consciousness being literally OVERWHELMED by something. Some special reality.

Once ones `space' is THERE - all `hell' brakes loose as this is a `location' without `common consensus' except for your brain interpretation of your landscape you observed from your `common consensus' `eyes' in that landscape (your legendary third eye?) ......... And, I don't get into it much on UDCC, but, I've had the `controlled lucid dream' experiences - using the techniques of Carlos Castaneda - and I can tell you that the `qualitative interior landscape' is as quasi-real and surreal as you can imagine. (At least my experiences were.) With a fabric of reality without the `filled in details' - with much more flux and response to what I'll call `mental requests'.

But, my point is really bigger that I'm attempting to make - and that is the REALITY of the qualitative - had a phenomenology and topography in my hyper-aware unusual state of mind (controlled lucid dream sequence). And, I am of the opinion that THAT state of mind is similar to the `shared' quasi-reality states of Dr. Charles Tart with `mutual hypnosis' subjects - who lead each other via hypnosis to an `other reality' with topography and phenomenology. Literally the experiencing of HARD realities. Real subjectiveness. And, these experiments were with multiple people at one time (once a person who was `observing' the session of mutual hypnosis `accidently' got hypnotized and `found themselves' in the same landscape that the other two mutual folks were exploring - the person was `hiding' from their line of sight within that reality btw.).

A HARD observable reality, evidently. With a slippery slope of real and time sequencing to be beyond belief in nearly all regards - but - that once experienced is never to be forgotten for all its real unforgettable details. A reality structure here and now - and - there and then (and ultimately elsewhere and elsewhen).

How vivid are your memories? How real are your fantasies? And, is it so unreasonable to discover that some beings, some entities of information, may be residing within that quasi-space? (What I call the able to not be space in my Phillips Phenomenology.)
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THE MODERN DAY UFO MOTIF IDENTIFIED BY UDCC - THE ANSWER TO 99% OF UFO EXPERIENCES

The `UFO Motif' is a vigorous plasma Orb that catches ones attention - morphs, often into a structured shape as it comes very close to the observer location - then it often morphs one more time into a structured `Neighborhood UFO' (aka an Impossible Craft perception) - this is where folks then `see' low flying, slow moving `Triangles' or other UFO shapes - often followed (after departure) by `helicopters' or `military jets' - both of which are simply part of the total perception. The `Neighborhood UFO' then often passes out of perception range to NOT be reported `downstream' or `upstream' usually - proving that it is a localized experience (often tied to intentionalities on the ground and with humans). EXTREME close encounters can easily produce the perceptions of missing time.
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Note The Dictionary Words Associated With The Very Concept Of A Motif
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a short succession of notes producing a single impression; a brief melodic or rhythmic formula out of which longer passages are developed.

design, pattern, decoration, figure, shape, device, emblem, ornament

a distinctive feature or dominant idea in an artistic or literary composition

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