The Most Popular Reads Of The Past Year

Wednesday, November 13, 2013

Almost Looks UFOish

Don't you think?
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Yesterday I ran into a Twitter user touting the Blue Planet Project with as slippery a slope story as I've heard in quite sometime to sell 20 bucks worth of inside UFO information. Hmm. Oh, IF my memory serves me right - he's in Hampton Virginia.... HMM. (Military Town)
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And, here's a collection of anomalous/Ghost stories from the great state of Ohio called Dead Ohio and I bring you to the Athens Ohio Page (my college town BTW).
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And finally for today - and continuing the broadening positioning occasionally of UDCC - something amazing:
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Two Of My Kindle Books - Borrow For Free If You Are An Amazon Prime Member
1.99 and 4.99

Tuesday, November 12, 2013

`Huh' - Some Things Are Perhaps Universal?

As UDCC approaches 2014 and the changing of this blog into a largely `private' blog - the final days will reflect upon the slightly larger positioning that UDCC (myself) is contemplating for 2014 and beyond..... Anyway, that garbled attempt was to tell you as Bob Dylan once did - the times they are a changing.... to which you may say HUH (A Repair Initiator) indicating to me that you simply  `don't get it' (either in meaning or even as simple as not being able to physically hear the words spoken).

Evidently, as you read above in the link,  the `word' - and yes it (HUH) is a word - is EVERYWHERE and in all languages... some are suggesting the universal development of language from base things like this.... to which my mind also connected the purported strangeness of finding `Pyramids' EVERYWHERE in ancient societies assumed (and we know the multiple meanings of assumed) to be `separated'... by too much land and sea........... to which it occurs to me at least that SOME SHAPES, LIKE WORDS, are also Universal or at the `crux' of certain things.... like building something that would allow a look over the trees and the immediate environment. Something where you wouldn't have to go to the nearest mountain. Something like a simple inverted triangle.

It's in much the same `Universal' way that I suggest to readers of this blog who do not see the world and phenomena with my perspective - to understand how I `sieve' the world at hand - a very simple Phenomenology. The `Universal' reality `structure' that is literally everywhere and is composed of everything..... actualized `spaces' in proximity...... AND THEN.... mix that with YOU - you space.... the space that has to `digest' the `light information' from `out there'... and which totally suggests that `we' are viewing something that is NOT `truly current'.... just based on physics. Damn near current, and reflective of real data... but, you must admit - is not `truly current'.

And, it's all a `universal process' that simply SCREAMS `ontological structure'.... and `the transformation of ideas into temporal characters'..... a phenomenology regardless if it is about our external perceptions OR our own `internal perceptions' (which have multiple characters in themselves including fantasy and recollection). For those of you who say you are `religious' it perhaps SCREAMS that `creation is actualization' and that `it' is continuous and contiguous. EXACTLY the very thing a GOD would do. IMO.

But, if you focused on my mind leads above... you were shown that `physics' is going to `prevent' you from seeing the `actual now' of `creation'... as it is `determined and hidden' from your `own event horizon of perception'. I'm serious. It's like we are in an opaque vial in a sense.... and here's the whole point I am going to make to you.... `enough of a space exists in the flow of perception to allow additional input into ones perception stream' .... if you will.... `things' - anomalous things (spaces defined by the information within them) can `intrude' or have a very slightly different `space line' or `time line' if you will.... yet, that is still `here and now'. (Especially in relation to a `consciousness location' such as a human being.)

This area, these `spaces', are what is being `teased into existence' (in my opinion) by what are often deep human meditating intentionalities of Orb callers - the few that can focus on this tiny flowing area of minute existence - while in a beckoning mode of action. They then have a `now' existence for a temporal period... as a transformed idea into a temporal character. (Notice the simultaneous so called `morphing' of the anomalous at this point of the experience.) And yes, to regular readers ... it's not a large leap of faith at all to consider my above an Ontological Structure for what I have been saying for quite some time about the (impossible) Neighborhood UFO phenomena.

I have a feeling that the anomalous `fights for realness' while it is being perceived by a consciousness in a given location (because remember this location for it is TEMPORAL and NON REAL NOW). 
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That's enough to chew upon.
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MY 2013 KINDLE BOOKS
My Kindle Book Called The Heavy Stuff
My Kindle Book Called UFOs `What If' 2008-2009
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THE MODERN DAY UFO MOTIF IDENTIFIED BY UDCC - THE ANSWER TO 99% OF UFO EXPERIENCES

The `UFO Motif' is a vigorous plasma Orb that catches ones attention - morphs, often into a structured shape as it comes very close to the observer location - then it often morphs one more time into a structured `Neighborhood UFO' (aka an Impossible Craft perception) - this is where folks then `see' low flying, slow moving `Triangles' or other UFO shapes - often followed (after departure) by `helicopters' or `military jets' - both of which are simply part of the total perception. The `Neighborhood UFO' then often passes out of perception range to NOT be reported `downstream' or `upstream' usually - proving that it is a localized experience (often tied to intentionalities on the ground and with humans). EXTREME close encounters can easily produce the perceptions of missing time.
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Note The Dictionary Words Associated With The Very Concept Of A Motif
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a short succession of notes producing a single impression; a brief melodic or rhythmic formula out of which longer passages are developed.

design, pattern, decoration, figure, shape, device, emblem, ornament

a distinctive feature or dominant idea in an artistic or literary composition